Venice School of Painting (part 4)
The art of Giorgione was a real revolution in Venetian painting, had a huge impact on contemporaries, including Titian, whose work the readers of the magazine already had the opportunity…

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Antique Cologne (part 4)
In Cologne, stone tombs of Roman legionnaires were also found. There were quarries designed specifically for their manufacture. The setting of tombstones was a sign of the welfare of the…

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Barbizon School of Painting (part 5)
The views of the Barbizonians are many contradictory. Striving for a truthful depiction of nature, they, paradoxically, were negative towards realism, considering it too prosaic, aimed at creating "copies", and…

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world embracing

Syrian landscapes (part 1)

Most of the landscape compositions of Syrian artists are dedicated to the old Damascus and the village of Maalulya, located in a picturesque mountainous area near Damascus. It has become a source of inspiration and a place of pilgrimage for Syrian landscape painters. The multi-tiered architecture of rural houses that cling to the slopes of the mountains and are picturesquely piled above each other, romantic landscapes of the surroundings, a fertile valley spread out below, as it were, embody the Syrian’s ideal dream of the beauty of the earth. Continue reading

Ordinary magic glass (part 1)

The expression “Venetian glass” has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that the largest museums in the world are proud of the works of nameless glassmakers of Venice along with paintings by famous painters – their contemporaries: Titian, Carpaccio, Veronese, Giorgione. Particularly remarkable are the products of the 16th century – the truly “golden age” of Venetian glass. They are even more advantageous when compared with European glass of the preceding one and a half millennia: thick-walled, muddy-green bottles, rough cups in the form of horns or stumps with uncomplicated decorations. Continue reading

Mexican painting of the first half of the XX century (part 3)

The workshop absorbed the wonderful traditions of Mexican art, became a phenomenon of world graphics of the XX century. The masters of this association developed the progressive traditions of other countries, using the experience of F. Mazerel or R. Guttuso, Soviet cartoonists and poster artists, especially D. Moore, and American graphic artists-communists. The workshop was preceded by the schedule of Posada, and it is no coincidence that the leader and founder of the workshop, Leopoldo Mendes, depicts Posada: he angrily watches the reprisal against the popular manifestation. Continue reading

Brotherhood of the Pre-Raphaelites (part 6)
The fate of this talented - and still underrated artist - has been difficult. He was a little older than the Pre-Raphaelites, but by the time he became friends with…

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Coroplasts from Tanagra (part 3)
The movements of the Tanagryanoks are beautiful and measured, their gestures are restrained, and the expression on their faces is noble. Here is a woman, raising her raincoat, wants to…

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Coroplasts from Tanagra (part 3)
The movements of the Tanagryanoks are beautiful and measured, their gestures are restrained, and the expression on their faces is noble. Here is a woman, raising her raincoat, wants to…

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Chinese classical painting (part 1)
The painting of China, which flourished in the Middle Ages - the 4th – 19th centuries AD - did not accidentally take a place of honor in world art history.…

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