Coroplasts from Tanagra (part 2)
In St. Petersburg, they became interested in the offer. Different motives led the parties to the transaction. The Minister of the Court, Count I.I. Vorontsov-Dashkov, was preoccupied with external prestige…

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Syrian landscapes (part 2)
A reflection of this approach was the work of Mamduh Kashlan. In “Local Street”, he depicts a typical street in the old district of the city with picturesque neighborhoods and…

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Egyptian ostracons (part 4)
Ostracons constitute a significant, but little-known layer of Egyptian art. They can be divided into several categories: drawings, sketches, compositions for wall paintings and reliefs, fluent full-scale sketches, in which…

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world embracing

Syrian landscapes (part 1)

Most of the landscape compositions of Syrian artists are dedicated to the old Damascus and the village of Maalulya, located in a picturesque mountainous area near Damascus. It has become a source of inspiration and a place of pilgrimage for Syrian landscape painters. The multi-tiered architecture of rural houses that cling to the slopes of the mountains and are picturesquely piled above each other, romantic landscapes of the surroundings, a fertile valley spread out below, as it were, embody the Syrian’s ideal dream of the beauty of the earth. Continue reading

Ordinary magic glass (part 1)

The expression “Venetian glass” has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that the largest museums in the world are proud of the works of nameless glassmakers of Venice along with paintings by famous painters – their contemporaries: Titian, Carpaccio, Veronese, Giorgione. Particularly remarkable are the products of the 16th century – the truly “golden age” of Venetian glass. They are even more advantageous when compared with European glass of the preceding one and a half millennia: thick-walled, muddy-green bottles, rough cups in the form of horns or stumps with uncomplicated decorations. Continue reading

Mexican painting of the first half of the XX century (part 3)

The workshop absorbed the wonderful traditions of Mexican art, became a phenomenon of world graphics of the XX century. The masters of this association developed the progressive traditions of other countries, using the experience of F. Mazerel or R. Guttuso, Soviet cartoonists and poster artists, especially D. Moore, and American graphic artists-communists. The workshop was preceded by the schedule of Posada, and it is no coincidence that the leader and founder of the workshop, Leopoldo Mendes, depicts Posada: he angrily watches the reprisal against the popular manifestation. Continue reading

Antique Cologne (part 3)
But the height of perfection is the glass produced in Cologne. It is impossible to pass by glass vessels with handles in the form of the Greek letter "omega", depicting…

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Antique Cologne (part 1)
Cologne ... Many have heard of this German city on the Rhine, a major center of medieval European culture. Well-known Cologne Cathedral - an unsurpassed monument of Gothic architecture. His…

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Chinese classical painting (part 1)
The painting of China, which flourished in the Middle Ages - the 4th – 19th centuries AD - did not accidentally take a place of honor in world art history.…

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Coroplasts from Tanagra (part 1)
The Greek words "tanagra", "tanagryanka" entered the Russian language about a hundred years ago. They are used today to denote everything fragile, feminine and plastic. The artist V. Serov invented…

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