Olympia - the sanctuary of Hellas (part 2)
The ancient Greeks erected the origin of the Olympic Games to mythological times, the honor of their approval was attributed to both Zeus himself and Heracles. But these are just…

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Ordinary magic glass (part 1)
The expression "Venetian glass" has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that…

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Antique Cologne (part 3)
But the height of perfection is the glass produced in Cologne. It is impossible to pass by glass vessels with handles in the form of the Greek letter "omega", depicting…

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undeniable influence

Turkmen folk costume (part 2)

Apparently, the patterns covering the collar, sleeves and hem of the dressing gowns and shirts are also associated with these ideas. For certain areas and tribal groups, special ornaments and colors are characteristic. Embroidery is a traditionally female occupation, which began to teach girls from 8-10 years old. Turkmen craftswomen owned several types of seams, embroidered with colored silk threads of various thicknesses. Continue reading

Olympia – the sanctuary of Hellas (part 3)

The sculptor shows the moment before the start of the competition. Heroes are presented before the main events unfold. In each image, the outcome of this drama is read. Researchers of ancient art, analyzing the ideological and artistic concept of the sculptural pediment, emphasize the depth with which the tragedy of the vanquished is revealed in it. Enomai is doomed to die for his wrong, and such a death is considered fair. The eastern pediment of the temple is often called the “Aeschylus tragedy embodied in stone”, emphasizing the purifying meaning of the impact of ancient tragedy – the punishment of evil, the affirmation of justice, humanity. Continue reading

Coroplasts from Tanagra (part 3)

The movements of the Tanagryanoks are beautiful and measured, their gestures are restrained, and the expression on their faces is noble. Here is a woman, raising her raincoat, wants to cross the street. As if feeling admiring glances on herself, she bashfully lowered her eyes. An ardently akimbo and beaming with a radiant smile, a young saleswoman of roses stands at the crossroads with a basket.

I love joy, bliss, love youth and the sun;
My lot is to be in the sunshine and the beauty of love! Continue reading

How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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18th century Venetian landscape painters (part 2)
Giovanni Antonio Canaletto (1697–1768), who managed to combine documentary precision with a subtle sense of nature, became the true master of the Vedut. He began to work as a painter…

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Brotherhood of the Pre-Raphaelites (part 5)
Lizzy Siddal was a saleswoman of some fashionista when the artist Deverell saw her and admired the unusual, sophisticated beauty of a girl with copper-gold hair. She served as a…

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Syrian landscapes (part 2)
A reflection of this approach was the work of Mamduh Kashlan. In “Local Street”, he depicts a typical street in the old district of the city with picturesque neighborhoods and…

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