18th century Venetian landscape painters (part 2)
Giovanni Antonio Canaletto (1697–1768), who managed to combine documentary precision with a subtle sense of nature, became the true master of the Vedut. He began to work as a painter…

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Ordinary magic glass (part 1)
The expression "Venetian glass" has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that…

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18th century Venetian landscape painters (part 1)
By the beginning of the XVIII century, the once powerful Venice had lost the significance of the political center of the Mediterranean, turning into a kind of pilgrimage center. Rich…

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pagan cheerfulness

Turkmen folk costume (part 1)

If you come to Turkmenistan, then surely pay attention to women’s clothing, which has preserved the national identity of the folk costume. In our time, marked by great successes in the economy and cultural construction of the republic, interest in Turkmen decorative and applied art has revived. And colorful national women’s dresses became fashionable again. With minor changes in accordance with the modern way of life in the republic, they wear a traditional women’s costume, which took shape in the 18th – 19th centuries. Continue reading

Olympia – the sanctuary of Hellas (part 4)

In the building of the workshop there were altars. The disciples of Phidias received the nickname of the cleaners, as they were entrusted with the honorable duty of cleaning the statue of Zeus from the settling mud. It is instructive that before starting this work, they sacrificed to Ergan, the goddess of labor. A statue of the goddess of victory, made by the sculptor Paeonius, was later installed on the pedestal on the eastern facade of the temple. It does not have the swiftness that is characteristic of Nika of Samothrace. The master portrayed her as if floating in the air. The goddess personifies confidence in victory, her triumph. Continue reading

Venice School of Painting (part 2)

Venetians more than the masters of other Italian schools appreciated the capabilities of this technique and completely transformed it. For example, the attitude of Dutch artists to the world was inherent in a reverently contemplative beginning, a shade of religious piety, in each, the most ordinary object, they sought a reflection of the highest beauty. The medium of transmission of this inner illumination became light. Continue reading

Venice School of Painting (part 1)
The legacy of the Venetian school of painting is one of the brightest pages in the history of the Italian Renaissance. The “Pearl of the Adriatic,” a bizarrely picturesque city…

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Venice School of Painting (part 5)
The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully…

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Turkmen folk costume (part 1)
If you come to Turkmenistan, then surely pay attention to women's clothing, which has preserved the national identity of the folk costume. In our time, marked by great successes in…

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How did the masters of the Italian Renaissance study (part 1)
Verrocchio, Mantegna, Leonardo da Vinci, Michelangelo. The greatest geniuses. What a vivid personality and how much they differ from each other! What unites the unsurpassed masters of that time, which…

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