Venice School of Painting (part 1)
The legacy of the Venetian school of painting is one of the brightest pages in the history of the Italian Renaissance. The “Pearl of the Adriatic,” a bizarrely picturesque city…

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Chinese classical painting (part 3)
The landscape born of the artist’s imagination was always filled with the breath of life. The long scroll “Autumn in the Valley of the Yellow River”, performed in the XI…

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Syrian landscapes (part 1)
Most of the landscape compositions of Syrian artists are dedicated to the old Damascus and the village of Maalulya, located in a picturesque mountainous area near Damascus. It has become…

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native land

Olympia – the sanctuary of Hellas (part 4)

In the building of the workshop there were altars. The disciples of Phidias received the nickname of the cleaners, as they were entrusted with the honorable duty of cleaning the statue of Zeus from the settling mud. It is instructive that before starting this work, they sacrificed to Ergan, the goddess of labor. A statue of the goddess of victory, made by the sculptor Paeonius, was later installed on the pedestal on the eastern facade of the temple. It does not have the swiftness that is characteristic of Nika of Samothrace. The master portrayed her as if floating in the air. The goddess personifies confidence in victory, her triumph. Continue reading

Olympia – the sanctuary of Hellas (part 1)

A lot of miracles can be seen in Hellas, a lot of miracles can be heard here, but there is nothing of God’s protection over anything like the Eleusinian Mysteries and the Olympic competitions. ” So considered the historian and traveler Pausanias, who in the II century carefully studied the monuments of Ancient Greece and left the famous book “Description of Hellas”. And although eighteen centuries have passed since that time, pagan gods have long been rejected, but even today, a man stepping on the land of Olympia experiences a sense of reverence – akin to that which encompassed the ancient Greeks near the sanctuary of their main gods. Continue reading

How did the masters of the Italian Renaissance study (part 3)

As another example, let us trace how the creative personality of Michelangelo was formed. For thirteen years he entered the studio of the painter Domenico Ghirlandaio. At age 15, he made a satire mask, which attracted the attention of the enlightened Florentine ruler Lorenzo Medici, a great philanthropist and a versatile person.

Young Michelangelo moved to an art school at the court of Lorenzo, where he began to study under the guidance of Bertoldo di Giovanni, a student of Donatello. Continue reading

Mexican painting of the first half of the XX century (part 3)
The workshop absorbed the wonderful traditions of Mexican art, became a phenomenon of world graphics of the XX century. The masters of this association developed the progressive traditions of other…

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Olympia - the sanctuary of Hellas (part 3)
The sculptor shows the moment before the start of the competition. Heroes are presented before the main events unfold. In each image, the outcome of this drama is read. Researchers…

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Barbizon School of Painting (part 2)
They were T. Russo, D. de la Peña, J. Dupree, F. Millet. It was they who most often could be found here with a notebook and an easel, which, incidentally,…

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Mexican painting of the first half of the XX century (part 1)
In the XX century, one of the most significant phenomena of world culture unexpectedly became the art of Latin America, especially Mexico. The dramatic history of this country is replete…

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