Venice School of Painting (part 5)
The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully…

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Antique Cologne (part 1)
Cologne ... Many have heard of this German city on the Rhine, a major center of medieval European culture. Well-known Cologne Cathedral - an unsurpassed monument of Gothic architecture. His…

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Turkmen folk costume (part 2)
Apparently, the patterns covering the collar, sleeves and hem of the dressing gowns and shirts are also associated with these ideas. For certain areas and tribal groups, special ornaments and…

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native land

Olympia – the sanctuary of Hellas (part 4)

In the building of the workshop there were altars. The disciples of Phidias received the nickname of the cleaners, as they were entrusted with the honorable duty of cleaning the statue of Zeus from the settling mud. It is instructive that before starting this work, they sacrificed to Ergan, the goddess of labor. A statue of the goddess of victory, made by the sculptor Paeonius, was later installed on the pedestal on the eastern facade of the temple. It does not have the swiftness that is characteristic of Nika of Samothrace. The master portrayed her as if floating in the air. The goddess personifies confidence in victory, her triumph. Continue reading

Olympia – the sanctuary of Hellas (part 1)

A lot of miracles can be seen in Hellas, a lot of miracles can be heard here, but there is nothing of God’s protection over anything like the Eleusinian Mysteries and the Olympic competitions. ” So considered the historian and traveler Pausanias, who in the II century carefully studied the monuments of Ancient Greece and left the famous book “Description of Hellas”. And although eighteen centuries have passed since that time, pagan gods have long been rejected, but even today, a man stepping on the land of Olympia experiences a sense of reverence – akin to that which encompassed the ancient Greeks near the sanctuary of their main gods. Continue reading

How did the masters of the Italian Renaissance study (part 3)

As another example, let us trace how the creative personality of Michelangelo was formed. For thirteen years he entered the studio of the painter Domenico Ghirlandaio. At age 15, he made a satire mask, which attracted the attention of the enlightened Florentine ruler Lorenzo Medici, a great philanthropist and a versatile person.

Young Michelangelo moved to an art school at the court of Lorenzo, where he began to study under the guidance of Bertoldo di Giovanni, a student of Donatello. Continue reading

How did the masters of the Italian Renaissance study (part 1)
Verrocchio, Mantegna, Leonardo da Vinci, Michelangelo. The greatest geniuses. What a vivid personality and how much they differ from each other! What unites the unsurpassed masters of that time, which…

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Barbizon School of Painting (part 3)
The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with "modern Babylon" - Paris. Rousseau and Dupre believed that nature…

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Venice School of Painting (part 5)
The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully…

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Ordinary magic glass (part 1)
The expression "Venetian glass" has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that…

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