How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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Syrian landscapes (part 3)
The main advantage of the work lies in color harmony, lighting features, characteristic of the second half of the day, when the sun from the zenith begins to decline. The…

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Syrian landscapes (part 1)
Most of the landscape compositions of Syrian artists are dedicated to the old Damascus and the village of Maalulya, located in a picturesque mountainous area near Damascus. It has become…

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Syrian landscapes (part 3)

The main advantage of the work lies in color harmony, lighting features, characteristic of the second half of the day, when the sun from the zenith begins to decline. The brown flat walls of buildings with a fancy play of yellow and white spots laid on the canvas broadly and softly are masterfully conveyed. Only under balconies and in the depths of door and window openings appear blue and green shades, reviving the range of the landscape. The right part is painted in warm colors of a gradually fading light. The left side is colder, it is designed in blue, blue and slightly whitened colors. Continue reading

Barbizon School of Painting (part 2)

They were T. Russo, D. de la Peña, J. Dupree, F. Millet. It was they who most often could be found here with a notebook and an easel, which, incidentally, was conveyed by K. Corot in the 1833 drawing “Artist in the Fontainebleau Forest”. In addition to them, G. Courbet, the sculptor A. Bari, visited Barbizon, capturing, like many barbizons, the views of the surrounding forests. Continue reading

Coroplasts from Tanagra (part 2)
In St. Petersburg, they became interested in the offer. Different motives led the parties to the transaction. The Minister of the Court, Count I.I. Vorontsov-Dashkov, was preoccupied with external prestige…

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Barbizon School of Painting (part 6)
The Russian critic V.V. Stasov appreciated the Barbizonians because “they did not decorate or sweeten, but conveyed the true forms of nature, the nature of Russian, French, and at the…

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Chinese classical painting (part 2)
Household painting originated in China long before the advent of other genres. She illustrated legends and short stories, was eloquent, narrative. Where human emotions and poetic moods were touched, the…

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Barbizon School of Painting (part 1)
Far from the noise of the capital, French painters of the last century took a fancy to the area around the royal residence of Fontainebleau, which, since the time of…

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