Brotherhood of the Pre-Raphaelites (part 1)
For a correct understanding of the movement of the Pre-Raphaelites, it is necessary to identify the difference between its individual stages, stretching over several decades. It should be noted that…

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How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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Barbizon School of Painting (part 2)
They were T. Russo, D. de la Peña, J. Dupree, F. Millet. It was they who most often could be found here with a notebook and an easel, which, incidentally,…

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later paintings

Syrian landscapes (part 3)

The main advantage of the work lies in color harmony, lighting features, characteristic of the second half of the day, when the sun from the zenith begins to decline. The brown flat walls of buildings with a fancy play of yellow and white spots laid on the canvas broadly and softly are masterfully conveyed. Only under balconies and in the depths of door and window openings appear blue and green shades, reviving the range of the landscape. The right part is painted in warm colors of a gradually fading light. The left side is colder, it is designed in blue, blue and slightly whitened colors. Continue reading

Brotherhood of the Pre-Raphaelites (part 3)

The first works with the mysterious monogram “PRB” appeared at exhibitions only in 1849. These were Lorenzo and Isabella by Milles, The Virginity of Mary by Rossetti, and Rienzi Hunt. The last picture is inspired by the novel of the same name by Bulwer-Lytton. Its full name: “Rienzi over the body of a murdered brother takes an oath to take revenge on tyrants.” Hunt chose this topic after the April beating of the Chartists, which he turned out to be an eyewitness, which made a huge impression on him. Continue reading

Egyptian ostracons (part 1)
In the art of Ancient Egypt there are monuments that make up a special group. These are works of graphic art - drawings on brackons. The Greek word "ostrakon" literally…

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Mexican painting of the first half of the XX century (part 3)
The workshop absorbed the wonderful traditions of Mexican art, became a phenomenon of world graphics of the XX century. The masters of this association developed the progressive traditions of other…

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18th century Venetian landscape painters (part 2)
Giovanni Antonio Canaletto (1697–1768), who managed to combine documentary precision with a subtle sense of nature, became the true master of the Vedut. He began to work as a painter…

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Venice School of Painting (part 1)
The legacy of the Venetian school of painting is one of the brightest pages in the history of the Italian Renaissance. The “Pearl of the Adriatic,” a bizarrely picturesque city…

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