Chinese classical painting (part 2)
Household painting originated in China long before the advent of other genres. She illustrated legends and short stories, was eloquent, narrative. Where human emotions and poetic moods were touched, the…

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Olympia - the sanctuary of Hellas (part 4)
In the building of the workshop there were altars. The disciples of Phidias received the nickname of the cleaners, as they were entrusted with the honorable duty of cleaning the…

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Olympia - the sanctuary of Hellas (part 4)
In the building of the workshop there were altars. The disciples of Phidias received the nickname of the cleaners, as they were entrusted with the honorable duty of cleaning the…

Continue reading →

decorate or sweeten

Ordinary magic glass (part 2)

The art of the Venetian masters aroused delight and imitation. Legends were made about him. Their works were so amazing that they were considered magical: they seemed to save from poison and disease, it was only necessary to drain the precious goblet of Venetian work. And subtle connoisseurs sometimes bequeathed to put the most valuable objects of colored glass in their tombs, from where archaeologists extracted them. So some of the early Venetian colored glass products painted with colored enamels and gold managed to reach us. Continue reading

How did the masters of the Italian Renaissance study (part 2)

Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea of ​​the nature of instruction in workshops of the 15th – 16th centuries. According to Giovio, Leonardo strictly forbade students to use brushes and paints for the time being, “allowing them only to choose and painstakingly paint with their lead pencil the immortal samples of the most ancient works, to transmit with the simplest strokes the forces of nature and the contours of bodies that appear before our eyes in such a variety of movements. Continue reading

Barbizon School of Painting (part 3)
The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with "modern Babylon" - Paris. Rousseau and Dupre believed that nature…

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Syrian landscapes (part 3)
The main advantage of the work lies in color harmony, lighting features, characteristic of the second half of the day, when the sun from the zenith begins to decline. The…

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Barbizon School of Painting (part 3)
The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with "modern Babylon" - Paris. Rousseau and Dupre believed that nature…

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18th century Venetian landscape painters (part 1)
By the beginning of the XVIII century, the once powerful Venice had lost the significance of the political center of the Mediterranean, turning into a kind of pilgrimage center. Rich…

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