Antique Cologne (part 3)
But the height of perfection is the glass produced in Cologne. It is impossible to pass by glass vessels with handles in the form of the Greek letter "omega", depicting…

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Brotherhood of the Pre-Raphaelites (part 4)
A storm broke out in 1850, partly due to Rossetti's tactlessness. All members of the fraternity had to sacredly keep the secrets of the initials of “PRB” sacred, and so…

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Indian art products
The creation of artistically designed household items is one of the oldest forms of art in India. Its effect is powerful, because it brings a huge aesthetic joy to a…

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critics are silent

Ordinary magic glass (part 2)

The art of the Venetian masters aroused delight and imitation. Legends were made about him. Their works were so amazing that they were considered magical: they seemed to save from poison and disease, it was only necessary to drain the precious goblet of Venetian work. And subtle connoisseurs sometimes bequeathed to put the most valuable objects of colored glass in their tombs, from where archaeologists extracted them. So some of the early Venetian colored glass products painted with colored enamels and gold managed to reach us. Continue reading

How did the masters of the Italian Renaissance study (part 2)

Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea of ​​the nature of instruction in workshops of the 15th – 16th centuries. According to Giovio, Leonardo strictly forbade students to use brushes and paints for the time being, “allowing them only to choose and painstakingly paint with their lead pencil the immortal samples of the most ancient works, to transmit with the simplest strokes the forces of nature and the contours of bodies that appear before our eyes in such a variety of movements. Continue reading

Brotherhood of the Pre-Raphaelites (part 1)

For a correct understanding of the movement of the Pre-Raphaelites, it is necessary to identify the difference between its individual stages, stretching over several decades. It should be noted that many foreign historians and art critics are silent or deliberately distorting his progressive line, trying to limit the rebellion of the Pre-Raphaelites to a purely artistic field. Continue reading

Venice School of Painting (part 3)
Carpaccio is related by poetic mood to the greatest of the Venetian painters of the 15th century - Giovanni Bellini, the youngest son of Jacopo. But his artistic interests lay…

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Brotherhood of the Pre-Raphaelites (part 1)
For a correct understanding of the movement of the Pre-Raphaelites, it is necessary to identify the difference between its individual stages, stretching over several decades. It should be noted that…

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Venice School of Painting (part 4)
The art of Giorgione was a real revolution in Venetian painting, had a huge impact on contemporaries, including Titian, whose work the readers of the magazine already had the opportunity…

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Barbizon School of Painting (part 3)
The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with "modern Babylon" - Paris. Rousseau and Dupre believed that nature…

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