Venice School of Painting (part 5)
The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully…

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Barbizon School of Painting (part 6)
The Russian critic V.V. Stasov appreciated the Barbizonians because “they did not decorate or sweeten, but conveyed the true forms of nature, the nature of Russian, French, and at the…

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Indian art products
The creation of artistically designed household items is one of the oldest forms of art in India. Its effect is powerful, because it brings a huge aesthetic joy to a…

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critics are silent

Ordinary magic glass (part 2)

The art of the Venetian masters aroused delight and imitation. Legends were made about him. Their works were so amazing that they were considered magical: they seemed to save from poison and disease, it was only necessary to drain the precious goblet of Venetian work. And subtle connoisseurs sometimes bequeathed to put the most valuable objects of colored glass in their tombs, from where archaeologists extracted them. So some of the early Venetian colored glass products painted with colored enamels and gold managed to reach us. Continue reading

How did the masters of the Italian Renaissance study (part 2)

Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea of ​​the nature of instruction in workshops of the 15th – 16th centuries. According to Giovio, Leonardo strictly forbade students to use brushes and paints for the time being, “allowing them only to choose and painstakingly paint with their lead pencil the immortal samples of the most ancient works, to transmit with the simplest strokes the forces of nature and the contours of bodies that appear before our eyes in such a variety of movements. Continue reading

Brotherhood of the Pre-Raphaelites (part 1)

For a correct understanding of the movement of the Pre-Raphaelites, it is necessary to identify the difference between its individual stages, stretching over several decades. It should be noted that many foreign historians and art critics are silent or deliberately distorting his progressive line, trying to limit the rebellion of the Pre-Raphaelites to a purely artistic field. Continue reading

Antique Cologne (part 1)
Cologne ... Many have heard of this German city on the Rhine, a major center of medieval European culture. Well-known Cologne Cathedral - an unsurpassed monument of Gothic architecture. His…

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Barbizon School of Painting (part 1)
Far from the noise of the capital, French painters of the last century took a fancy to the area around the royal residence of Fontainebleau, which, since the time of…

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Egyptian ostracons (part 4)
Ostracons constitute a significant, but little-known layer of Egyptian art. They can be divided into several categories: drawings, sketches, compositions for wall paintings and reliefs, fluent full-scale sketches, in which…

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Turkmen folk costume (part 1)
If you come to Turkmenistan, then surely pay attention to women's clothing, which has preserved the national identity of the folk costume. In our time, marked by great successes in…

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