Chinese classical painting (part 2)
Household painting originated in China long before the advent of other genres. She illustrated legends and short stories, was eloquent, narrative. Where human emotions and poetic moods were touched, the…

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Coroplasts from Tanagra (part 3)
The movements of the Tanagryanoks are beautiful and measured, their gestures are restrained, and the expression on their faces is noble. Here is a woman, raising her raincoat, wants to…

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Venice School of Painting (part 4)
The art of Giorgione was a real revolution in Venetian painting, had a huge impact on contemporaries, including Titian, whose work the readers of the magazine already had the opportunity…

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aesthetic problems

How did the masters of the Italian Renaissance study (part 1)

Verrocchio, Mantegna, Leonardo da Vinci, Michelangelo. The greatest geniuses. What a vivid personality and how much they differ from each other! What unites the unsurpassed masters of that time, which bears the name of the Renaissance? Not only new in comparison with the Middle Ages – interest in antiquity, a different theme and spiritual richness of works. At the heart of everyone’s creativity is a new professional method of teaching fine art in workshops. Continue reading

Egyptian ostracons (part 4)

Ostracons constitute a significant, but little-known layer of Egyptian art. They can be divided into several categories: drawings, sketches, compositions for wall paintings and reliefs, fluent full-scale sketches, in which the masters made sketches of vivid postures, facial expressions, gestures, drawings, models, which served as a kind of visual aids.

Leading masters were fluent in the technique of carving and painting, and each of them was an excellent draftsman. Continue reading

Barbizon School of Painting (part 5)

The views of the Barbizonians are many contradictory. Striving for a truthful depiction of nature, they, paradoxically, were negative towards realism, considering it too prosaic, aimed at creating “copies”, and not genuine art. G. Courbet was neglected, believing that his paintings “place in the kitchen.” The Barbizonians did not like the social orientation, which was strong with the master from Ornan. It came from their ideas about life, art. Fearing modern civilization, artists were extremely conservative politically. Continue reading

Brotherhood of the Pre-Raphaelites (part 1)
For a correct understanding of the movement of the Pre-Raphaelites, it is necessary to identify the difference between its individual stages, stretching over several decades. It should be noted that…

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Venice School of Painting (part 5)
The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully…

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Egyptian ostracons (part 2)
A true masterpiece is the ostracone with the image of acrobatic dance. In a rapid movement, a flexible acrobat leaned back sharply. The moving grace of the figure is emphasized…

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Venice School of Painting (part 1)
The legacy of the Venetian school of painting is one of the brightest pages in the history of the Italian Renaissance. The “Pearl of the Adriatic,” a bizarrely picturesque city…

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