Venice School of Painting (part 1)
The legacy of the Venetian school of painting is one of the brightest pages in the history of the Italian Renaissance. The “Pearl of the Adriatic,” a bizarrely picturesque city…

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Venice School of Painting (part 4)
The art of Giorgione was a real revolution in Venetian painting, had a huge impact on contemporaries, including Titian, whose work the readers of the magazine already had the opportunity…

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Egyptian ostracons (part 3)
Ostracons often go beyond traditional motives. Among them there are drawings of a parody and satirical character. A number of plots, in which parallels to fables are guessed, are almost…

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actual mastermind

Syrian landscapes (part 2)

A reflection of this approach was the work of Mamduh Kashlan. In “Local Street”, he depicts a typical street in the old district of the city with picturesque neighborhoods and quaint buildings. A cashlan with a mark of observation conveys many details characteristic of old Damascus – wooden blinds on the windows, asymmetrically located windows on stone walls, consoles supporting balconies, constantly arches. In some paintings, the author gives a panorama of the Syrian capital with a translucent haze of warm air hiding the sharp outlines of buildings, reveals the romantic beginning of the city’s appearance. Continue reading

Coroplasts from Tanagra (part 2)

In St. Petersburg, they became interested in the offer. Different motives led the parties to the transaction. The Minister of the Court, Count I.I. Vorontsov-Dashkov, was preoccupied with external prestige and the possibility of infringing on German interests. He wrote to the Director of the Hermitage, Count A. A. Vasilchikov: “All the major European museums have now turned their attention to this collection. In the Berlin Museum we have a terrible rival. Our young Kizeritsky, who has seen the collection in Athens and in Berlin, says that every thing in it is worth its weight in gold … Continue reading

Egyptian ostracons (part 4)

Ostracons constitute a significant, but little-known layer of Egyptian art. They can be divided into several categories: drawings, sketches, compositions for wall paintings and reliefs, fluent full-scale sketches, in which the masters made sketches of vivid postures, facial expressions, gestures, drawings, models, which served as a kind of visual aids.

Leading masters were fluent in the technique of carving and painting, and each of them was an excellent draftsman. Continue reading

Venice School of Painting (part 1)
The legacy of the Venetian school of painting is one of the brightest pages in the history of the Italian Renaissance. The “Pearl of the Adriatic,” a bizarrely picturesque city…

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Egyptian ostracons (part 2)
A true masterpiece is the ostracone with the image of acrobatic dance. In a rapid movement, a flexible acrobat leaned back sharply. The moving grace of the figure is emphasized…

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Barbizon School of Painting (part 5)
The views of the Barbizonians are many contradictory. Striving for a truthful depiction of nature, they, paradoxically, were negative towards realism, considering it too prosaic, aimed at creating "copies", and…

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Mexican painting of the first half of the XX century (part 1)
In the XX century, one of the most significant phenomena of world culture unexpectedly became the art of Latin America, especially Mexico. The dramatic history of this country is replete…

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