Barbizon School of Painting (part 3)
The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with "modern Babylon" - Paris. Rousseau and Dupre believed that nature…

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Venice School of Painting (part 4)
The art of Giorgione was a real revolution in Venetian painting, had a huge impact on contemporaries, including Titian, whose work the readers of the magazine already had the opportunity…

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Olympia - the sanctuary of Hellas (part 4)
In the building of the workshop there were altars. The disciples of Phidias received the nickname of the cleaners, as they were entrusted with the honorable duty of cleaning the…

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Brotherhood of the Pre-Raphaelites (part 6)

The fate of this talented – and still underrated artist – has been difficult. He was a little older than the Pre-Raphaelites, but by the time he became friends with them, he already had fifteen years of professional experience and studied in Belgium, France and Italy.

Brown tended to create great dramatic compositions. “It was in Paris that I decided to paint realistic paintings, because not a single Frenchman painted like that,” he said later. Brown’s granddaughter, Elena Rossetti Angeli, wrote that “he was a communist by his habits … welcomed the Russian revolutionaries. In the early 1870s, his house was filled with communards. ” Many unemployed then left England, trying to get out of poverty. Brown went to see Wulner off to Australia, and was shocked to see crowds of emigrants. Yes, he himself was thinking whether to try his luck overseas, but limited himself only to a picture where he portrayed himself and his wife as a joyless couple, casting a farewell glance at their native land. This, perhaps, the meanest and most expressive canvas of Brown turned out to be the most topical.

But Brown considered the creation of a picturesque anthem to human labor as the main task. In European art of the middle of the last century, his work can only be compared with the work of Courbet. “Labor” is a kind of optimistic rhapsody, to which the master himself gave a detailed comment. In the center of the composition a group of laborers is depicted, next to which rich loafers become insignificant. The picture presents all types of labor: mental – two figures on the right – the founders of the first working college, where Brown, Rossetti and other Pre-Raphaelites taught. A group of diggers personifies physical labor, and so on up to the unemployed poor. “Labor” is a truly realistic painting that faithfully reproduces nature.

We focused only on the most significant works of the Pre-Raphaelites, but in the end, many artists of the second half of the 19th century began to work in the same direction, or, as one critic said, “suffered from Pre-Raphaelism as an inevitable childhood measles disease.”

Nevertheless, this “childhood illness”, which arose as a youthful rebellion against routine and vulgarity, has given rise to many works that still excite us not only with the mysterious inscription “PRB”, but also with the secret of genuine art.

Coroplasts from Tanagra (part 1)
The Greek words "tanagra", "tanagryanka" entered the Russian language about a hundred years ago. They are used today to denote everything fragile, feminine and plastic. The artist V. Serov invented…

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How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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Brotherhood of the Pre-Raphaelites (part 4)
A storm broke out in 1850, partly due to Rossetti's tactlessness. All members of the fraternity had to sacredly keep the secrets of the initials of “PRB” sacred, and so…

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Brotherhood of the Pre-Raphaelites (part 5)
Lizzy Siddal was a saleswoman of some fashionista when the artist Deverell saw her and admired the unusual, sophisticated beauty of a girl with copper-gold hair. She served as a…

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