Egyptian ostracons (part 1)
In the art of Ancient Egypt there are monuments that make up a special group. These are works of graphic art - drawings on brackons. The Greek word "ostrakon" literally…

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Mexican painting of the first half of the XX century (part 3)
The workshop absorbed the wonderful traditions of Mexican art, became a phenomenon of world graphics of the XX century. The masters of this association developed the progressive traditions of other…

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Venice School of Painting (part 2)
Venetians more than the masters of other Italian schools appreciated the capabilities of this technique and completely transformed it. For example, the attitude of Dutch artists to the world was…

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Venice School of Painting (part 5)

The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully experiencing the dramatic conflicts of modern reality.

Tintoretto introduces into her interpretation a personal, and often a subjectively arbitrary principle, subordinating human figures to certain unknown forces that scatter and circle them. Continue reading

Venice School of Painting (part 4)
The art of Giorgione was a real revolution in Venetian painting, had a huge impact on contemporaries, including Titian, whose work the readers of the magazine already had the opportunity…

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Brotherhood of the Pre-Raphaelites (part 6)
The fate of this talented - and still underrated artist - has been difficult. He was a little older than the Pre-Raphaelites, but by the time he became friends with…

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Brotherhood of the Pre-Raphaelites (part 2)
The very name of the fraternity seemed to imply recognition of the art of Raphael's predecessors and a denial of himself. But this is not so. The picturesque achievements of…

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Venice School of Painting (part 3)
Carpaccio is related by poetic mood to the greatest of the Venetian painters of the 15th century - Giovanni Bellini, the youngest son of Jacopo. But his artistic interests lay…

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