Olympia - the sanctuary of Hellas (part 2)
The ancient Greeks erected the origin of the Olympic Games to mythological times, the honor of their approval was attributed to both Zeus himself and Heracles. But these are just…

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18th century Venetian landscape painters (part 1)
By the beginning of the XVIII century, the once powerful Venice had lost the significance of the political center of the Mediterranean, turning into a kind of pilgrimage center. Rich…

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Brotherhood of the Pre-Raphaelites (part 1)
For a correct understanding of the movement of the Pre-Raphaelites, it is necessary to identify the difference between its individual stages, stretching over several decades. It should be noted that…

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sculptor

Olympia – the sanctuary of Hellas (part 3)

The sculptor shows the moment before the start of the competition. Heroes are presented before the main events unfold. In each image, the outcome of this drama is read. Researchers of ancient art, analyzing the ideological and artistic concept of the sculptural pediment, emphasize the depth with which the tragedy of the vanquished is revealed in it. Enomai is doomed to die for his wrong, and such a death is considered fair. The eastern pediment of the temple is often called the “Aeschylus tragedy embodied in stone”, emphasizing the purifying meaning of the impact of ancient tragedy – the punishment of evil, the affirmation of justice, humanity. Continue reading

Antique Cologne (part 2)
In its best days, ancient Cologne was a big city: 20-25 thousand people lived in it. One can imagine how fast this Roman city on the Rhine grew, how temples,…

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Chinese classical painting (part 1)
The painting of China, which flourished in the Middle Ages - the 4th – 19th centuries AD - did not accidentally take a place of honor in world art history.…

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Mexican painting of the first half of the XX century (part 1)
In the XX century, one of the most significant phenomena of world culture unexpectedly became the art of Latin America, especially Mexico. The dramatic history of this country is replete…

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Barbizon School of Painting (part 5)
The views of the Barbizonians are many contradictory. Striving for a truthful depiction of nature, they, paradoxically, were negative towards realism, considering it too prosaic, aimed at creating "copies", and…

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