Household painting originated in China long before the advent of other genres. She illustrated legends and short stories, was eloquent, narrative. Where human emotions and poetic moods were touched, the image invariably interwoven with the landscape. The worldview of medieval China can be called landscape – so the being of people was realized in connection with nature.
Since ancient times, it has been closely monitored. Unlike the countries of Europe, where man was the measure of all things, here it became a natural principle. Continue reading
The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with “modern Babylon” – Paris. Rousseau and Dupre believed that nature has a noble effect on the human person. The precepts of romanticism, which proclaimed the cult of “pure” nature, full of strength, greatness, also meant a lot to them. Artists hated bourgeois civilization, enslaving man. “What a devil, this modern civilization! Let’s go back to nature, forests and ancient poetry! ”- Rousseau called. Continue reading