Syrian landscapes (part 3)
The main advantage of the work lies in color harmony, lighting features, characteristic of the second half of the day, when the sun from the zenith begins to decline. The…

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Antique Cologne (part 4)
In Cologne, stone tombs of Roman legionnaires were also found. There were quarries designed specifically for their manufacture. The setting of tombstones was a sign of the welfare of the…

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Olympia - the sanctuary of Hellas (part 4)
In the building of the workshop there were altars. The disciples of Phidias received the nickname of the cleaners, as they were entrusted with the honorable duty of cleaning the…

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poetry

Chinese classical painting (part 2)

Household painting originated in China long before the advent of other genres. She illustrated legends and short stories, was eloquent, narrative. Where human emotions and poetic moods were touched, the image invariably interwoven with the landscape. The worldview of medieval China can be called landscape – so the being of people was realized in connection with nature.

Since ancient times, it has been closely monitored. Unlike the countries of Europe, where man was the measure of all things, here it became a natural principle. Continue reading

Barbizon School of Painting (part 3)

The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with “modern Babylon” – Paris. Rousseau and Dupre believed that nature has a noble effect on the human person. The precepts of romanticism, which proclaimed the cult of “pure” nature, full of strength, greatness, also meant a lot to them. Artists hated bourgeois civilization, enslaving man. “What a devil, this modern civilization! Let’s go back to nature, forests and ancient poetry! ”- Rousseau called. Continue reading

How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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How did the masters of the Italian Renaissance study (part 3)
As another example, let us trace how the creative personality of Michelangelo was formed. For thirteen years he entered the studio of the painter Domenico Ghirlandaio. At age 15, he…

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Egyptian ostracons (part 4)
Ostracons constitute a significant, but little-known layer of Egyptian art. They can be divided into several categories: drawings, sketches, compositions for wall paintings and reliefs, fluent full-scale sketches, in which…

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Antique Cologne (part 4)
In Cologne, stone tombs of Roman legionnaires were also found. There were quarries designed specifically for their manufacture. The setting of tombstones was a sign of the welfare of the…

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