How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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Olympia - the sanctuary of Hellas (part 3)
The sculptor shows the moment before the start of the competition. Heroes are presented before the main events unfold. In each image, the outcome of this drama is read. Researchers…

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18th century Venetian landscape painters (part 2)
Giovanni Antonio Canaletto (1697–1768), who managed to combine documentary precision with a subtle sense of nature, became the true master of the Vedut. He began to work as a painter…

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monumentality

Venice School of Painting (part 3)

Carpaccio is related by poetic mood to the greatest of the Venetian painters of the 15th century – Giovanni Bellini, the youngest son of Jacopo. But his artistic interests lay in a slightly different sphere. The masters were not carried away by the detailed narrative, genre motives, although he had a lot of work in the genre of historical painting, beloved by the Venetians. These paintings, with the exception of one written by him along with his brother Gentile, did not reach us. But all the charm and poetic depth of his talent revealed in compositions of a different kind. They have no action, no unfolded event. Continue reading

Brotherhood of the Pre-Raphaelites (part 3)
The first works with the mysterious monogram "PRB" appeared at exhibitions only in 1849. These were Lorenzo and Isabella by Milles, The Virginity of Mary by Rossetti, and Rienzi Hunt.…

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Barbizon School of Painting (part 2)
They were T. Russo, D. de la Peña, J. Dupree, F. Millet. It was they who most often could be found here with a notebook and an easel, which, incidentally,…

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Brotherhood of the Pre-Raphaelites (part 4)
A storm broke out in 1850, partly due to Rossetti's tactlessness. All members of the fraternity had to sacredly keep the secrets of the initials of “PRB” sacred, and so…

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Mexican painting of the first half of the XX century (part 2)
The start of the Mexican schedule itself was laid by the largest engraver of the XIX century - Jose Guadalupe Posada. He worked as an artist in newspapers, first in…

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