Ordinary magic glass (part 2)
The art of the Venetian masters aroused delight and imitation. Legends were made about him. Their works were so amazing that they were considered magical: they seemed to save from…

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Vastgoedfinanciering bank
Syrian landscapes (part 3)
The main advantage of the work lies in color harmony, lighting features, characteristic of the second half of the day, when the sun from the zenith begins to decline. The…

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Brotherhood of the Pre-Raphaelites (part 6)
The fate of this talented - and still underrated artist - has been difficult. He was a little older than the Pre-Raphaelites, but by the time he became friends with…

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landscape

Venice School of Painting (part 1)

The legacy of the Venetian school of painting is one of the brightest pages in the history of the Italian Renaissance. The “Pearl of the Adriatic,” a bizarrely picturesque city with canals and marble palaces, spread over 119 islands among the waters of the Gulf of Venice, was the capital of a powerful trading republic, which held in its hands all trade between Europe and the countries of the East. This became the basis of the prosperity and political influence of Venice, which included part of Northern Italy, the Adriatic coast of the Balkan Peninsula, and overseas territories. She was one of the leading centers of Italian culture, typography, and humanistic education. Continue reading

Barbizon School of Painting (part 1)

Far from the noise of the capital, French painters of the last century took a fancy to the area around the royal residence of Fontainebleau, which, since the time of Francis I, has attracted the lands of noble hunters. As early as the 18th century, J.-B. Audrey wrote pompous royal hunting scenes. After the turbulent events of the Great French Revolution and the fall of Napoleon I, when the time of festivities was a thing of the past, landscape painters frequented here. Continue reading

Barbizon School of Painting (part 2)
They were T. Russo, D. de la Peña, J. Dupree, F. Millet. It was they who most often could be found here with a notebook and an easel, which, incidentally,…

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Egyptian ostracons (part 4)
Ostracons constitute a significant, but little-known layer of Egyptian art. They can be divided into several categories: drawings, sketches, compositions for wall paintings and reliefs, fluent full-scale sketches, in which…

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Chinese classical painting (part 3)
The landscape born of the artist’s imagination was always filled with the breath of life. The long scroll “Autumn in the Valley of the Yellow River”, performed in the XI…

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Syrian landscapes (part 1)
Most of the landscape compositions of Syrian artists are dedicated to the old Damascus and the village of Maalulya, located in a picturesque mountainous area near Damascus. It has become…

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