Barbizon School of Painting (part 3)
The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with "modern Babylon" - Paris. Rousseau and Dupre believed that nature…

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Brotherhood of the Pre-Raphaelites (part 5)
Lizzy Siddal was a saleswoman of some fashionista when the artist Deverell saw her and admired the unusual, sophisticated beauty of a girl with copper-gold hair. She served as a…

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Ordinary magic glass (part 2)
The art of the Venetian masters aroused delight and imitation. Legends were made about him. Their works were so amazing that they were considered magical: they seemed to save from…

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glassmakers

Ordinary magic glass (part 1)

The expression “Venetian glass” has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that the largest museums in the world are proud of the works of nameless glassmakers of Venice along with paintings by famous painters – their contemporaries: Titian, Carpaccio, Veronese, Giorgione. Particularly remarkable are the products of the 16th century – the truly “golden age” of Venetian glass. They are even more advantageous when compared with European glass of the preceding one and a half millennia: thick-walled, muddy-green bottles, rough cups in the form of horns or stumps with uncomplicated decorations. Continue reading

Venice School of Painting (part 3)
Carpaccio is related by poetic mood to the greatest of the Venetian painters of the 15th century - Giovanni Bellini, the youngest son of Jacopo. But his artistic interests lay…

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Barbizon School of Painting (part 3)
The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with "modern Babylon" - Paris. Rousseau and Dupre believed that nature…

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Egyptian ostracons (part 3)
Ostracons often go beyond traditional motives. Among them there are drawings of a parody and satirical character. A number of plots, in which parallels to fables are guessed, are almost…

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Mexican painting of the first half of the XX century (part 2)
The start of the Mexican schedule itself was laid by the largest engraver of the XIX century - Jose Guadalupe Posada. He worked as an artist in newspapers, first in…

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