Venice School of Painting (part 1)
The legacy of the Venetian school of painting is one of the brightest pages in the history of the Italian Renaissance. The “Pearl of the Adriatic,” a bizarrely picturesque city…

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Ordinary magic glass (part 2)
The art of the Venetian masters aroused delight and imitation. Legends were made about him. Their works were so amazing that they were considered magical: they seemed to save from…

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Brotherhood of the Pre-Raphaelites (part 2)
The very name of the fraternity seemed to imply recognition of the art of Raphael's predecessors and a denial of himself. But this is not so. The picturesque achievements of…

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Coroplasts from Tanagra (part 2)

In St. Petersburg, they became interested in the offer. Different motives led the parties to the transaction. The Minister of the Court, Count I.I. Vorontsov-Dashkov, was preoccupied with external prestige and the possibility of infringing on German interests. He wrote to the Director of the Hermitage, Count A. A. Vasilchikov: “All the major European museums have now turned their attention to this collection. In the Berlin Museum we have a terrible rival. Our young Kizeritsky, who has seen the collection in Athens and in Berlin, says that every thing in it is worth its weight in gold … Continue reading

Ordinary magic glass (part 1)
The expression "Venetian glass" has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that…

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Brotherhood of the Pre-Raphaelites (part 5)
Lizzy Siddal was a saleswoman of some fashionista when the artist Deverell saw her and admired the unusual, sophisticated beauty of a girl with copper-gold hair. She served as a…

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Venice School of Painting (part 5)
The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully…

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Egyptian ostracons (part 2)
A true masterpiece is the ostracone with the image of acrobatic dance. In a rapid movement, a flexible acrobat leaned back sharply. The moving grace of the figure is emphasized…

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