Barbizon School of Painting (part 6)
The Russian critic V.V. Stasov appreciated the Barbizonians because “they did not decorate or sweeten, but conveyed the true forms of nature, the nature of Russian, French, and at the…

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Chinese classical painting (part 1)
The painting of China, which flourished in the Middle Ages - the 4th – 19th centuries AD - did not accidentally take a place of honor in world art history.…

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18th century Venetian landscape painters (part 1)
By the beginning of the XVIII century, the once powerful Venice had lost the significance of the political center of the Mediterranean, turning into a kind of pilgrimage center. Rich…

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Coroplasts from Tanagra (part 2)

In St. Petersburg, they became interested in the offer. Different motives led the parties to the transaction. The Minister of the Court, Count I.I. Vorontsov-Dashkov, was preoccupied with external prestige and the possibility of infringing on German interests. He wrote to the Director of the Hermitage, Count A. A. Vasilchikov: “All the major European museums have now turned their attention to this collection. In the Berlin Museum we have a terrible rival. Our young Kizeritsky, who has seen the collection in Athens and in Berlin, says that every thing in it is worth its weight in gold … Continue reading

Venice School of Painting (part 5)
The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully…

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Ordinary magic glass (part 1)
The expression "Venetian glass" has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that…

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Ordinary magic glass (part 1)
The expression "Venetian glass" has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that…

...

Ordinary magic glass (part 1)
The expression "Venetian glass" has become a household word. It is used for a high appreciation of the artistic merits of works of glass. And it is no coincidence that…

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