How did the masters of the Italian Renaissance study (part 3)
As another example, let us trace how the creative personality of Michelangelo was formed. For thirteen years he entered the studio of the painter Domenico Ghirlandaio. At age 15, he…

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Mexican painting of the first half of the XX century (part 2)
The start of the Mexican schedule itself was laid by the largest engraver of the XIX century - Jose Guadalupe Posada. He worked as an artist in newspapers, first in…

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Chinese classical painting (part 3)
The landscape born of the artist’s imagination was always filled with the breath of life. The long scroll “Autumn in the Valley of the Yellow River”, performed in the XI…

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features

Mexican painting of the first half of the XX century (part 2)

The start of the Mexican schedule itself was laid by the largest engraver of the XIX century – Jose Guadalupe Posada. He worked as an artist in newspapers, first in provincial cities, then in Mexico City. He cut everyday scenes, illustrations, caricatures on wood, in total he completed over 15 thousand engravings. Posada declared himself during the years of reaction, and at the end of his life he became the first artist of the revolution, he was admired and studied by the great masters of Mexican art. Engravings Posada responded to everything that happened in the country, they were printed in large print runs on cheap paper. Continue reading

Chinese classical painting (part 3)

The landscape born of the artist’s imagination was always filled with the breath of life. The long scroll “Autumn in the Valley of the Yellow River”, performed in the XI century by Guo Xi, shows endless chains of mountains, old pines, huts sunk in the waves of soft fog. Peace reigns in nature. The landscape is monochrome, painted with light washings of mascara in combination with clear graphic lines. And the famous artist Ma Yuan, who lived in the XII – XIII centuries, depicting a fragile boat of a fisherman, swinging among the expanses of a winter lake, gives no coast, or even a piece of land. Continue reading

Olympia - the sanctuary of Hellas (part 4)
In the building of the workshop there were altars. The disciples of Phidias received the nickname of the cleaners, as they were entrusted with the honorable duty of cleaning the…

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How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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Brotherhood of the Pre-Raphaelites (part 5)
Lizzy Siddal was a saleswoman of some fashionista when the artist Deverell saw her and admired the unusual, sophisticated beauty of a girl with copper-gold hair. She served as a…

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Barbizon School of Painting (part 5)
The views of the Barbizonians are many contradictory. Striving for a truthful depiction of nature, they, paradoxically, were negative towards realism, considering it too prosaic, aimed at creating "copies", and…

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