Chinese classical painting (part 1)
The painting of China, which flourished in the Middle Ages - the 4th – 19th centuries AD - did not accidentally take a place of honor in world art history.…

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Antique Cologne (part 1)
Cologne ... Many have heard of this German city on the Rhine, a major center of medieval European culture. Well-known Cologne Cathedral - an unsurpassed monument of Gothic architecture. His…

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Antique Cologne (part 3)
But the height of perfection is the glass produced in Cologne. It is impossible to pass by glass vessels with handles in the form of the Greek letter "omega", depicting…

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Barbizon School of Painting (part 3)

The heirs of the Enlightenment, they, like J.-J. Rousseau, saw in nature a moral principle and contrasted the village with “modern Babylon” – Paris. Rousseau and Dupre believed that nature has a noble effect on the human person. The precepts of romanticism, which proclaimed the cult of “pure” nature, full of strength, greatness, also meant a lot to them. Artists hated bourgeois civilization, enslaving man. “What a devil, this modern civilization! Let’s go back to nature, forests and ancient poetry! ”- Rousseau called. Continue reading

Barbizon School of Painting (part 5)
The views of the Barbizonians are many contradictory. Striving for a truthful depiction of nature, they, paradoxically, were negative towards realism, considering it too prosaic, aimed at creating "copies", and…

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Mexican painting of the first half of the XX century (part 3)
The workshop absorbed the wonderful traditions of Mexican art, became a phenomenon of world graphics of the XX century. The masters of this association developed the progressive traditions of other…

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Brotherhood of the Pre-Raphaelites (part 4)
A storm broke out in 1850, partly due to Rossetti's tactlessness. All members of the fraternity had to sacredly keep the secrets of the initials of “PRB” sacred, and so…

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Coroplasts from Tanagra (part 1)
The Greek words "tanagra", "tanagryanka" entered the Russian language about a hundred years ago. They are used today to denote everything fragile, feminine and plastic. The artist V. Serov invented…

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