Turkmen folk costume (part 2)
Apparently, the patterns covering the collar, sleeves and hem of the dressing gowns and shirts are also associated with these ideas. For certain areas and tribal groups, special ornaments and…

Continue reading →

Brotherhood of the Pre-Raphaelites (part 3)
The first works with the mysterious monogram "PRB" appeared at exhibitions only in 1849. These were Lorenzo and Isabella by Milles, The Virginity of Mary by Rossetti, and Rienzi Hunt.…

Continue reading →

Coroplasts from Tanagra (part 3)
The movements of the Tanagryanoks are beautiful and measured, their gestures are restrained, and the expression on their faces is noble. Here is a woman, raising her raincoat, wants to…

Continue reading →

diary

Coroplasts from Tanagra (part 2)

In St. Petersburg, they became interested in the offer. Different motives led the parties to the transaction. The Minister of the Court, Count I.I. Vorontsov-Dashkov, was preoccupied with external prestige and the possibility of infringing on German interests. He wrote to the Director of the Hermitage, Count A. A. Vasilchikov: “All the major European museums have now turned their attention to this collection. In the Berlin Museum we have a terrible rival. Our young Kizeritsky, who has seen the collection in Athens and in Berlin, says that every thing in it is worth its weight in gold … Continue reading

Chinese classical painting (part 2)
Household painting originated in China long before the advent of other genres. She illustrated legends and short stories, was eloquent, narrative. Where human emotions and poetic moods were touched, the…

...

Syrian landscapes (part 3)
The main advantage of the work lies in color harmony, lighting features, characteristic of the second half of the day, when the sun from the zenith begins to decline. The…

...

Chinese classical painting (part 1)
The painting of China, which flourished in the Middle Ages - the 4th – 19th centuries AD - did not accidentally take a place of honor in world art history.…

...

How did the masters of the Italian Renaissance study (part 3)
As another example, let us trace how the creative personality of Michelangelo was formed. For thirteen years he entered the studio of the painter Domenico Ghirlandaio. At age 15, he…

...