How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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Egyptian ostracons (part 4)
Ostracons constitute a significant, but little-known layer of Egyptian art. They can be divided into several categories: drawings, sketches, compositions for wall paintings and reliefs, fluent full-scale sketches, in which…

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Barbizon School of Painting (part 6)
The Russian critic V.V. Stasov appreciated the Barbizonians because “they did not decorate or sweeten, but conveyed the true forms of nature, the nature of Russian, French, and at the…

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currents

Chinese classical painting (part 3)

The landscape born of the artist’s imagination was always filled with the breath of life. The long scroll “Autumn in the Valley of the Yellow River”, performed in the XI century by Guo Xi, shows endless chains of mountains, old pines, huts sunk in the waves of soft fog. Peace reigns in nature. The landscape is monochrome, painted with light washings of mascara in combination with clear graphic lines. And the famous artist Ma Yuan, who lived in the XII – XIII centuries, depicting a fragile boat of a fisherman, swinging among the expanses of a winter lake, gives no coast, or even a piece of land. Continue reading

Antique Cologne (part 3)
But the height of perfection is the glass produced in Cologne. It is impossible to pass by glass vessels with handles in the form of the Greek letter "omega", depicting…

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Chinese classical painting (part 1)
The painting of China, which flourished in the Middle Ages - the 4th – 19th centuries AD - did not accidentally take a place of honor in world art history.…

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Mexican painting of the first half of the XX century (part 2)
The start of the Mexican schedule itself was laid by the largest engraver of the XIX century - Jose Guadalupe Posada. He worked as an artist in newspapers, first in…

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How did the masters of the Italian Renaissance study (part 3)
As another example, let us trace how the creative personality of Michelangelo was formed. For thirteen years he entered the studio of the painter Domenico Ghirlandaio. At age 15, he…

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