How did the masters of the Italian Renaissance study (part 3)
As another example, let us trace how the creative personality of Michelangelo was formed. For thirteen years he entered the studio of the painter Domenico Ghirlandaio. At age 15, he…

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How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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Antique Cologne (part 4)
In Cologne, stone tombs of Roman legionnaires were also found. There were quarries designed specifically for their manufacture. The setting of tombstones was a sign of the welfare of the…

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companions

Coroplasts from Tanagra (part 3)

The movements of the Tanagryanoks are beautiful and measured, their gestures are restrained, and the expression on their faces is noble. Here is a woman, raising her raincoat, wants to cross the street. As if feeling admiring glances on herself, she bashfully lowered her eyes. An ardently akimbo and beaming with a radiant smile, a young saleswoman of roses stands at the crossroads with a basket.

I love joy, bliss, love youth and the sun;
My lot is to be in the sunshine and the beauty of love! Continue reading

Mexican painting of the first half of the XX century (part 1)
In the XX century, one of the most significant phenomena of world culture unexpectedly became the art of Latin America, especially Mexico. The dramatic history of this country is replete…

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Mexican painting of the first half of the XX century (part 1)
In the XX century, one of the most significant phenomena of world culture unexpectedly became the art of Latin America, especially Mexico. The dramatic history of this country is replete…

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Egyptian ostracons (part 4)
Ostracons constitute a significant, but little-known layer of Egyptian art. They can be divided into several categories: drawings, sketches, compositions for wall paintings and reliefs, fluent full-scale sketches, in which…

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Egyptian ostracons (part 2)
A true masterpiece is the ostracone with the image of acrobatic dance. In a rapid movement, a flexible acrobat leaned back sharply. The moving grace of the figure is emphasized…

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