Syrian landscapes (part 3)
The main advantage of the work lies in color harmony, lighting features, characteristic of the second half of the day, when the sun from the zenith begins to decline. The…

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Chinese classical painting (part 2)
Household painting originated in China long before the advent of other genres. She illustrated legends and short stories, was eloquent, narrative. Where human emotions and poetic moods were touched, the…

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Antique Cologne (part 1)
Cologne ... Many have heard of this German city on the Rhine, a major center of medieval European culture. Well-known Cologne Cathedral - an unsurpassed monument of Gothic architecture. His…

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centaurs

Olympia – the sanctuary of Hellas (part 3)

The sculptor shows the moment before the start of the competition. Heroes are presented before the main events unfold. In each image, the outcome of this drama is read. Researchers of ancient art, analyzing the ideological and artistic concept of the sculptural pediment, emphasize the depth with which the tragedy of the vanquished is revealed in it. Enomai is doomed to die for his wrong, and such a death is considered fair. The eastern pediment of the temple is often called the “Aeschylus tragedy embodied in stone”, emphasizing the purifying meaning of the impact of ancient tragedy – the punishment of evil, the affirmation of justice, humanity. Continue reading

Brotherhood of the Pre-Raphaelites (part 5)
Lizzy Siddal was a saleswoman of some fashionista when the artist Deverell saw her and admired the unusual, sophisticated beauty of a girl with copper-gold hair. She served as a…

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Venice School of Painting (part 5)
The last great master of Venice of the 16th century, Jacopo Tintoretto, seems to be a complex and rebellious nature, a seeker of new paths in art, keenly and painfully…

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Chinese classical painting (part 3)
The landscape born of the artist’s imagination was always filled with the breath of life. The long scroll “Autumn in the Valley of the Yellow River”, performed in the XI…

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How did the masters of the Italian Renaissance study (part 2)
Here is a quote from a book by Giovio, an Italian historian of the 16th century. He describes the teaching method of Leonardo da Vinci, which gives us an idea…

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